| 工作原理 | 常压 |
|---|---|
| 功率 | 1~100（kw） |
| 灌装精度 | ±1% |
| 灌装量 | 500ml |
| 灌装头数 | 1头 |
| 生产能力 | 20罐/分钟 |
| 适用对象 | 果汁饮料,护发用品,护肤品类,酱类,酒类饮料,口服液,矿泉水、纯净水,清洁、洗涤用品,酸奶,碳酸饮料,鲜奶,牙膏,液体酒精 |
| 适用瓶高 | 1~9999（mm） |
| 适用瓶径 | 1~9999（mm） |
| 售后服务 | 一年保修 |
| 外形尺寸 | 1~9999 |
| 销售方式 | 直销 |
| 贸易属性 | 促销 |
| 适用行业 | 化工,日化,食品 |
| 物料类型 | 液体 |
| 自动化程度 | 半自动 |
| 发货期限 | 10天 |
| 包装类型 | 杯 |
| 品牌 | 伽利略Galileo |
| 型号 | GGZJ |
| 加工定制 | 否 |
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微电脑版控制液体灌装机
数控液体灌装机是利用位电脑对微型水泵在灌装时间、电机转速等因素上的控制，达到均匀的、重复误差小的液体灌装方式，广泛的应用于药物、化工、食品、饮料、油脂、化妆品等行业，适用于低粘度、无颗粒的液体分装、小批量生产。
水泵泵体采用耐腐蚀的多种进口材料合成，泵体与电机分离，泵体内无机械金属部件、无磨损。具有耐油、耐热、耐酸、耐碱、耐腐蚀、耐化学品等性能。此水泵综合了自吸泵与化工泵的优点，具有自吸功能、热保护、运行平稳、可长时间连续空转、可长时间连续负载运行等优点。
有关其他用途，请向厂家咨询，对于因不按规定使用而造成的任何损坏，生产商不负责保修。此类风险由使用者独自承担。严格遵守使用说明书是本机使用要求的一部分。
电 源：AC180V-260V 外箱尺寸：400×380×200（mm）
功 率：300W 整机重量：5.5Kg
大范围：2ml-3500ml 大吸程：2m
大流量：3.2L/min 出料防滴漏功能：有
重复误差：＜0.5% 断电记忆功能：有
液体/膏体灌装机简介
本系列灌装机是参照国外先进灌装机技术进行改造和创新的产品，其结构简单合理，度高，操作简便，人性化设计更加符合现代企业的要求。广泛适用于医药、日化、食品、农药及特殊行业，是对高粘度流体、膏体进行定量灌装的理想设备。
设备特点
该系列灌装机结构合理、机型小巧、性能可靠、定量准确、操作方便，动力部分采用气动结构。物料接触部分均采用316L不锈钢材料制成，符合GMP认证的要求。可根据用户需要在机型范围内任意调节灌装量及灌装速度，灌装精度高。灌装闷头采用防滴漏及升降灌装装置。
该机主要动力为气源，客户需自备空压机设备。
技术参数
电源：220V 50Hz
灌装精度：≤±0.5%
灌装速度：1-25瓶/分
配用气压：0.4－0.9MPa
配用气量：≥0.1m3/min
木箱、泡沫或纸箱包装。重量轻一般发快递，其它只能发物流（需到物流站自提），详情请联系我们。
上海进变实业为一般纳税人，可开17%增值税专用**或增值税普通**，详情请联系我们。
售后服务承诺
1.产品提供免费维修一年，免费维保期间内如发生非人为原因引起的损坏（不可抗力原因除外），上海进变实业将及时免费更换和修理。
2.产品实行终身包修，免费保修期满后买方如委托上海进变实业进行维护保养，上海进变实业将对设备进行维护更换件（），并详细列出维保内容。
3.上海进变实业本着以客户利益为，想客户所想、急客户所急，尽己所能满足客户的要求，做好售后服务。
产品品质承诺
1.上海进变实业对产品的质量及交货期负责，产品交货之日起质保期为一年（易损件三个月），终身维护。对于产品质量引起的后果，上海进变实业承担相应的责任。如因操作不当引起的后果，上海进变实业将以低成本价对设备进行维护。
2.对所有分供方都进行考察、评审，所有产品的采购都只在合格分供方进行。对分供方所提供的原材料、外购件、外协件都需经过严格复查，检验合格后方准入库；
3.产品制造严格执行“双三检”制度，不合格零件不转序、不装配、不出厂；
FragmentWelcome to consult...es Dickens ElecBook Classics
f
A Tale of Two Cities
obscurity. Yet, work of that kind was being done in the garret; for,
with his back towards the door, and his face towards the window
where the keeper of the wine-shop stood looking at him, a white-
haired man sat on a low bench, stooping forward and very busy,
making shoes.
Charles Dickens ElecBook Classics
f
A Tale of Two Cities
Chapter VI
THE SHOEMAKER
G ood day!” said Monsieur Defarge, looking down at the
white head that bent low over the shoemaking.
It was raised for a moment, and a very faint voice
responded to the salutation, as if it were at a distance: “Good day!”
“You are still hard at work, I see?”
After a long silence, the head was lifted for another moment,
and the voice replied, “Yes—I am working.” This time, a pair of
haggard eyes had looked at the questioner, before the face had
dropped again.
The faintness of the voice was pitiable and dreadful. It was not
the faintness of physical weakness, though confinement and hard
fare no doubt had their part in it. Its deplorable peculiarity was,
that it was the faintness of solitude and disuse. It was like the last
feeble echo of a sound made long and long ago. So entirely had it
lost the life and resonance of the human voice, that it affected the
senses like a once beautiful colour faded away into a poor weak
stain. So sunken and suppressed it was, that it was like a voice
underground. So expressive it was, of a hopeless and lost creature,
that a famished traveller, wearied out by lonely wandering in a
wilderness, would have remembered home and friends in such a
tone before lying down to die.
Some minutes of silent work had passed: and the haggard eyes
had looked up again: not with any interest or curiosity, but with a
dull mechanical perception, beforehand, that the spot where the
Charles Dickens ElecBook Classics
f
A Tale of Two Cities
only visitor they were aware of had stood, was not yet empty.
“I want,” said Defarge, who had not removed his gaze from the
shoemaker, “to let in a little more light here. You can bear a little
more?”
The shoemaker stopped his work; looked with a vacant air of
listening, at the floor on one side of him; then similarly, at the floor
on the other side of him; then, upward at the speaker.
“What did you say?”
“You can bear a little more light?”
“I must bear it, if you let it in.” (Laying the palest shadow of a
stress upon the second word.) The opened half-door was opened a
litt**rther, and secured at that angle for the time. A broad ray of
light fell into the garret, and showed the workman with an
unfinished shoe upon his lap, pausing in his labour. His few
common tools and various scraps of leather were at his feet and on
his bench. He had a white beard, raggedly cut, but not very long, a
hollow face, and exceedingly bright eyes. The hollowness and
thinness of his face would have caused them to look large, under
his yet dark eyebrows and his confused white hair, though they
had been really otherwise; but, they were naturally large, and
looked unnaturally so. His yellow rags of shirt lay open at the
throat, and showed his body to be withered and worn. He, and his
old canvas frock, and his loose stockings, and all his poor tatters of
clothes, had, in a long seclusion from direct light and air, faded
down to such a dull uniformity of parchment-yellow, that it would
have been hard to say which was which.
He had put up a hand between his eyes and the light, and the
very bones of it seemed transparent. So he sat, with a steadfastly
vacant gaze, pausing in his work. He never looked at the figure
Charles Dickens ElecBook Classics
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A Tale of Two Cities
before him, without first looking down on this side of himself, then
on that, as if he had lost the habit of associating place with
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